Tuesday, February 1, 2011

thoughts for the day--




I'm currently right in the middle of a new body of work... sort of a "best of" retrospective look at my most successful creations through the years. Doesn't sound like a humble act at all, but in reality it brings me to my knees.
How is it that simple images residing in our minds can become powerful symbols of people, cultures, and even mirror images of ourselves?
Recently, we have had the pleasure of becoming friends with artist Kwan Young Lee. Kwan, a South Korea native, is now living and painting here in the states. Years ago we stumbled upon his work and were dumbfounded. From one artist to another I was inspired, from a collector's standpoint we were committed to owning his works.
When Kwan Young and I finally did meet and interact, we were instantly friends. With tears welling in his eyes he said we were kindred spirits and very similar painters. We did indeed purchase a quite significant piece from him, and over a kettle of fresh green tea we began discussing our conceptual process.
It was so interesting that we both felt as though dreaming directly fed our creative images. He said to start a new work, he must sleep quite a bit. I too have created whole series and narratives off of the dreams I remember when waking... for instance my series "a ressurrection of time indefinite" was all birthed through a dream.
So my question is how wonderful is it that our minds have the ability to percieve images that the public needs? That we have the drive to create works of art that challenge cultural views and or agree with them...
I often speak of my images as "hauntingly hopeful". They are images that linger and provoke... they don't just go away but achieve a purpose for which they were sent.

An artist's perception is a beautifully prophetic thing-- we are constantly sending messages that match or link to someone else's perspective.
In Kwan Young's painting titled "Encounter", it is a very loose image, etherial, and quiet...however we were enthralled with it's meaning before we even confirmed it was correct in our heads.
Two cups of green tea later... Kwan Young described to us the purpose and meaning of the "Encounter" painting. We were correct...everything we felt in the ghostly image was what it was created to illustrate. How powerful is that? What a gifting...

So as I review this "best of" show I think back to the under layers of my imagery and to the things no one sees... tight budgets, sleeping on tables at the end of the night in a freezing cold studio...power outages in the dead of summer, bloody hands and week knees...the victorious feeling of a successful narrative, the crippling feeling of loss, the memory as a child of old carseat's in the summer, the sound of my mother's voice... a fall drum beat from a football field and my fathers narrating passion, laughing until I have cried, thoughts of the poor and how I can change that... the sweet sound of my dogs feet on hardwoods in the morning... the feeing of thinking i cannot go on and having the sense of complete redemption...
in all of this, under every image there are blankets of thoughts and layers of emotion-
all culminating to the observer in a single moment in a single painting.
For these images I am constantly enthralled at the idea of being "hauntingly hopeful". I am so moved and so thankful for a brain that thinks in conjuction with my spirit...

Hope to see you all at the opening Feb. 18th at Pryor Fine Art, a show based on a retrospective production of my past four years of works in Atlanta, Georgia.




Saturday, January 22, 2011

WHERE AM I?


Well another year has come and gone and and with that, a new schedule of shows has surfaced...

AMERICAN LANDSCAPES 2011, Watts fine art
FEB. 4- FEB. 25, 2011
SHOW OPENS FEB. 4TH, 6-9PM
20 N. MAIN STREET ZION
http://www.wattsfineart.com/Shows-Detail.cfm?ShowsID=56

ART ON ATLANTA FOUNDATION SHOW, FEATURING THE "DIAN FOSSEY WORKS"
FEB. 10- MARCH 10, 2011
http://www.artonatlanta.org/index.html

PRYOR FINE ART, FEATURING COURTNEY J. GARRETT AND FELICE SHARP
OPENS FEB. 18, 2011, 6:30- 8:30 PM
ATLANTA, GA
http://www.pryorfineart.com/index.html

THE ARTIST PROJECT
MARCH 17TH- 20, 2011
THURSDAY 10AM-9PM, FRIDAY 10AM-7PM, SATURDAY & SUNDAY 10AM- 6PM
PIER 92 55TH STREET AND THE WESTSIDE HIGHWAY
NY, NY

THE STUDIO LAUNCH PARTY
SPRING 2011

WATTS FINE ART, SOLO SHOW COURTNEY J. GARRETT
OPENS JULY 8TH, 2011- AUGUST 6, 2011
20 N. MAIN STREET ZIONSVILLE, IN



Wednesday, November 17, 2010

breaking down all the walls.


Well, just in the same way that I cut a whole in the studio wall to see what was on the other side...I felt like you all deserved some insight into what is coming up and coming out from my studio walls this winter...


A new series is blooming and with it prefaces a year of wondering thought, conceptual planning and attention to detail... At times my work lends itself to illustrate an undefinable line between photography and painting. ...about 7 or so mediums collide to create a full mixed media process...
the new series is no different. But I would say there is a heightened sense of awareness for historical relevance mixed with an unassumed innocense in imagery...
i spotted a new found freedom with my work- it was painful but necessary.

it's about breaking down all the walls that hold us in... right?


Please stay tuned with the blog and gallery releases for the series titled...

"and yet we were fearless"


Series will be released through the gallery "Watt's Fine Art...Bringing Contemporary Masters to the Midwest"

Tuesday, November 16, 2010

Peter Greenaway In NYC..."impassioned crusade"




Artist and film maker Peter Greenaway... A visonary and on a passionate pursuit to bring creative awareness back to a visually confined generation.
His New York installation will be showing at the Park Avenue Armory starting December 3rd, 2010.
(image courtesy of the www.armoryonpark.org)

Leonardo's Last Supper: A Vision by Peter Greenaway, resides within a full scale replica of the Refrectory of Santa Maria Della Grazie that served as home to the original da Vinci master piece.

Within the complete repica of the Santa Maria... Greenaway digitally reproduced the orginal Last Supper.
The experience is tranformative for viewers as the digital production takes observers through a process breaking down visual layers of the original work by Leonardo Davinci.
As quoted from "W" magazine December 2010 issue: "Greenaway's impassioned crusade to deepen visual lieteracy among what he calls 'a laptop generation of people who believe there's no cinema before Quentin Terantino nor painting before Jackson Pollack."
Why am I enthralled at works by Peter Greenaway?... (Other than the obvious soaring installations with manipulations of light, sound, and theatrical greatness) He is challending a generation of people to see again and to even revisit the great works of art produced long before our time of current creativity.
He transfigures traditional painting and has used the gadgeted details of a world so sensory driven to media, and produced a reverberating experience from the mind of a great master.
His approach is fresh and new to a world numbed by expected yet somewhat delightful cinema.
Creating experiences is the most engaging thing about art. In this he has succeeded. Every sense should be awakened and heightened...

If I am not creating great "works of encounter" for viewers then I am no longer a visonary artist... but a mere fabricator of material. I refuse this type of small thinking... and even in my most humble image there will always be huge visual implications... Every piece matters and every great work of art can serve a purpose.

What a delightful installation from Peter Greenaway.

Wednesday, October 6, 2010

from Amelia: New Works at Pryor

This Friday, October 8, from 6 to 8 pm, Pryor Fine Art is hosting an opening for "some of the city's favorite artists," who just happen to be our very own Mattress Factory friends and studio neighbors. Courtney J. Garrett, Todd Alexander, and John Folsom are showing new works at Pryor this month in honor of "Atlanta Celebrates Photography" during October. Not that these artists produce pure photography, for all are mixed media artists. They are being recognized because of their innovative take on photography through the mixing of images, layers of materials, and re-defining of what is typically seen as a "painting."

Come out to Pryor this Friday through October 29 to see the premiere of these striking new works. Pryor Fine Art is located at 22F Bennett Street Atlanta, GA 30309. See www.pryorfineart.com for more details.

Sunday, August 22, 2010

it's me-

Hello blogging world. I am ever far behind in catching up with you-
Here's a bit of what is going on and what is coming up in the studio and beyond...

I just returned from the Hampton/Long Island Area... an amazingly inspiring trip- life changing some would say for an artist.
Yearly shows have begun for me as well...this Thursday night the private patron party is scheduled for the Dian Fossey foundation- followed by the Opening Public Gorilla fund Event September 23rd, 2010. This is a very exciting time as the studio releases it's first historically documented international series. I feel the weight of such a responsibility and am ready to share the works in a public setting. They are emotionally dynamic-- as I try and express the layered life of a woman and her work... She so passionately connected to her environment.

"Atlanta Celebrates photography" month is just around the corner with October approaching. New works will be shown through Pryor Fine Art Gallery here in Atlanta. Pryor Fine art will also house more new works in a 2 person show this spring featuring a multi-faceted mixed media series from the studio.
As it always seems October is a very busy month for me- New works will also be released Hilton Head, SC for a solo exhibition towards the mid-end of the month in October. Moreover, I plan to close out the month with a trip to Hong Kong- I am very excited about my anticipated time there... as i am sure another life changing event is on the horizon.

Stay tuned.










Wednesday, July 7, 2010

The Studio at the Summit

On May 15, 2010, 23,000 people gathered to watch 590 of the world's rising designers showcase their potential in one space at one time: the 145,000 square foot Jacob K. Javits Convention Center in New York City. The 22nd annual International Contemporary Furniture Fair (ICFF) attracted designers from 40 different countries and 14 different contingencies, and was called "the global summit of what's best and what's next in design."

The studio had the privilege of being represented in the Holly Hunt New York showroom with one of Courtney's latest series: Blackbird. Here are a few photos from the show...