Well, as I approach my next upcoming show, I decided to take a few minutes to be thankful. I was thinking back to design school, and remembered hearing one of the most impacting sentences of my academic experience. It was on a day that I realized I was coming into my own...but fighting it all the way.
I remember the frustration of my interior drawings not being exactly what I thought they should be...in essence, my drawings never looked like anyone else's and I struggled to be okay with my differences.
I remember sitting in my professor's office (one of many times), (who was my one my dearest friends from the very beginning) and hearing her say that maybe right where I was in my style and approach, was exactly that... my own unique style and approach.
Moreover, in that moment I began to be more gentle with my considerations of my skills as an artist...not satisfied with mediocrity, but content with the idea that I was different in style and intent.
So today, I thank those two friends that so gracefully showed me confidence and love as an artist... and today as a painter...very rarely is there a day in the studio when I don't think of you and continue to be inspired by your years of encouragement.
a note with love to: nicole and paula=)
Friday, June 20, 2008
Friday, June 6, 2008
Alejandro Ortiz Ponce
Well, I am always quite intrigued when I meet a new artist, but when I met Alejandro I was fascinated. On my previous visit outside of the country, in a very small city in Central America, I had the most wonderful privilege to meet this vibrant artist. After hearing some of his story and his approach as a sculptor and painter, I wanted to share a portion of his work. So with the permission of Alejandro, I have posted some quite amazing photographs to try and capture his vision as an artist.
If you would like more information on Alejandro and his work please feel free to contact via email @ courtneyjgarrett@gmail.com
(PLEASE NOTE ALL ART AND CONTENT COPYRIGHT OF ALEJANDRO ORTIZ PONCE).


If you would like more information on Alejandro and his work please feel free to contact via email @ courtneyjgarrett@gmail.com
(PLEASE NOTE ALL ART AND CONTENT COPYRIGHT OF ALEJANDRO ORTIZ PONCE).
Tuesday, May 20, 2008
on the road
Well I am back on the road again.
Special thanks to everyone who came out to the show in Florida a week ago.
Next public showing will be again in Florida on July 3-5...check out showings and publications info on the main website for details.
Also, it looks like there will be a showing this summer in the metro new york area...dates to be announced.
Special thanks to everyone who came out to the show in Florida a week ago.
Next public showing will be again in Florida on July 3-5...check out showings and publications info on the main website for details.
Also, it looks like there will be a showing this summer in the metro new york area...dates to be announced.
Wednesday, April 23, 2008
a little art, a little music....and we loved the Old 280 Boogie


Okay, so the old 280 boogie was wonderful. A special thanks again to everyone that came out. Most importantly i cannot express how thankful I am to Scott and Paula Frances for the whole day.
Check out the website for a complete layout of all the paintings shown at the boogie.
Also, once again head out to waverly for the next local event or just go get yourself a day of fun-
check it out at
http://www.standarddeluxe.com/
Saturday, April 19, 2008
alright let it rain...
It's very very early in the morning, and the rain is pouring down. In fact, is has not rained quite this hard since the last tornado blew through, just a few short months ago.
So with that said, packing up two new painting series for the art opening today is going to be increasingly difficult but, let it rain. Despite the struggle to protect my work I am incredibly thankful for the day.
Which brings me to the art opening today in Waverly, Alabama---I get to see one of my favorite friends and you should come out and see the work=)
10am-5pm at the old 280 boogie... just visit http://www.standarddeluxe.com/
So with that said, packing up two new painting series for the art opening today is going to be increasingly difficult but, let it rain. Despite the struggle to protect my work I am incredibly thankful for the day.
Which brings me to the art opening today in Waverly, Alabama---I get to see one of my favorite friends and you should come out and see the work=)
10am-5pm at the old 280 boogie... just visit http://www.standarddeluxe.com/
Thursday, April 17, 2008
thinking back...
Okay, so for one of the first times in a long time, I am at rest in my studio. In the midst of the tarped floor and walls I find myself (again) alone with months of work sitting in it's completion. Day and night I work to create and recreate images that I hope will resonate within each of us. ...But it's days like today that I let go, and let be.
Overworking can really destroy the original intent of the the work and I am training my mind and my hands to shut off when they need to.
Meanwhile, I decided to go back through some of my old design journals from school and found such a wonderful thing...
I was able to see the pattern of becoming a painter---
Pages of journaling devoted to the study of interiors and their environments, literally seeped with the intimate study of great painters and their works.
I realized then the birthing place of my artist statement years before it was ever offically composed.
I remember the hours I spent reading the words of some of the greatest modern painters of our time and what excitement I found in the reasoning they had within the expresson of being a painter. In one of these references entitled "Encounters with Great Painters" (article by Barry Joule), I remember reading the words of Francis Bacon, "he explained that with luck and by the dint of manipulations and roiling brushwork, smears, deposits, and trails of paint laid on the canvas, he'd discovered how to make new and exciting things appear".
Overworking can really destroy the original intent of the the work and I am training my mind and my hands to shut off when they need to.
Meanwhile, I decided to go back through some of my old design journals from school and found such a wonderful thing...
I was able to see the pattern of becoming a painter---
Pages of journaling devoted to the study of interiors and their environments, literally seeped with the intimate study of great painters and their works.
I realized then the birthing place of my artist statement years before it was ever offically composed.
I remember the hours I spent reading the words of some of the greatest modern painters of our time and what excitement I found in the reasoning they had within the expresson of being a painter. In one of these references entitled "Encounters with Great Painters" (article by Barry Joule), I remember reading the words of Francis Bacon, "he explained that with luck and by the dint of manipulations and roiling brushwork, smears, deposits, and trails of paint laid on the canvas, he'd discovered how to make new and exciting things appear".
Subscribe to:
Posts (Atom)




